![]() Gen Z’s growing obsession with platforms such as TikTok, which is a huge promotional tool for artists lucky enough to have their track attached to a viral trend The experience of listening to music will become increasingly immersive with time, and we’ll only find more ways to seamlessly integrate it into our lives. As of February this year, more than 60,000 tracks were being uploaded to Spotify each day.Īccording to Statista, Spotify had 165 million premium subscribers worldwide as of the second quarter of 2021. Both Spotify and YouTube have also embraced sponsored content, which boosts the visibility of certain labels and artists.Īnd while we may want to bypass popular music recommendations - especially to support new generations of musicians who lack visibility - the reality is we’re faced with a quantity of music we can’t possibly contend with. Spotify supports an online community-based approach to music sharing, with curated playlists.īased on our listening habits, it uses our activity data and a range of machine-learning techniques to generate automatic recommendations for us. These platforms have had a profound effect on how we engage with music as active and passive listeners. And while music piracy still exists, its influence has been significantly reduced by the arrival of streaming services such as Spotify and YouTube. Music streaming and the role of the webĪs of this year, mobile devices are responsible for 54.8% of web traffic worldwide. Unlike the Apple Watch, which serves as a companion to smartphones, single-purpose devices such as the iPod Classic are now seen as antiquated and obsolete. In 2011, iPhone sales overtook the iPod, and in 2014 the iPod Classic was discontinued. And the future line of tablets, such as Apple’s iPad released in 2010, continued this trend. It was a game-changer for the mobile industry. The iPhone was a flexible and multifunctional device: an iPod, a phone and an internet communicator all in one - a computer in your pocket.Īnd by making the development tools for their products freely available, Apple and Google allowed third-party developers to create apps for their new platforms in the thousands. The iPod’s functions were essentially reappropriated and absorbed into the iPhone. Interestingly, the music app on the original iPhone was called “iPod”. The rise of touchscreen smartphones ultimately led to the iPod’s downfall. Stream weavers: the musicians' dilemma in Spotify's pay-to-play plan But this would change around 2007 with the release of the touchscreen iPhone and Android smartphones. It was designed to do one thing, and did it well. Meanwhile, the iPod continued to sell, year after year. ![]() In 2003, Apple responded to the music piracy crisis by launching its iTunes store, creating an attractive model for copyright-protected content. The accessibility of music significantly changed the relationship between listener and musician. The result was a fast-changing digital landscape where music piracy ran rife. These furthered the democratisation of the internet for the end user (with Napster garnering 80 million users in three years). ![]() ![]() Then came peer-to-peer file-sharing services such as Napster, Limewire and BitTorrent, released in 1999, 20, respectively. In simple terms, this made music files much smaller than before, hugely increasing the quantity of music that could be stored on a device. Then during the 1990s, an MP3 encoding algorithm developed at the Fraunhofer Institute in Germany allowed unprecedented audio data compression ratios. It might seem clunky now, but the original iPod was much sleeker than older portable cassette devices such as the Sony Walkman. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |